I Won't Make a Scene
November 2015
the benefit of making out in the dark has always been
you can’t see the boy turning into a school of fish. the shimmer:
an oscillating knee, negligible displacement but for the knee
next to it, and the knee next to that one, and that one –
suddenly you’re in a part of the city you don’t recognize, wondering
when and how you learned to pull your punches. your hands
putting themselves all over the boy’s shoulders. the river. the boy
in the river. the boy twisting like a river, the old man twisting
into a seal, a sea lion, a school of fish, an upside-down question
mark. don’t reduce this: he isn’t trying to avoid giving you a straight
answer; this is the straight answer. a straight arrow, tearing through
apple after orange. today you walked into an empty room
and everything changed. you tried to tell the truth and your mouth
filled with feathers, spoons, the ocean – all your particles
in rebellion, traitorous and wielding knives, ready to fight any god
by believing in them. i left you in the weight room and found what was
not you. your knuckles. your crash. an accident. i have looked at you
and i have put my hands on you, but never both at the same time.
by the time the coffin’s ready, the body’s gone.