I Won't Make a Scene

November 2015

the benefit of making out in the dark has always been

 

you can’t see the boy turning into a school of fish. the shimmer:

 

an oscillating knee, negligible displacement but for the knee

 

next to it, and the knee next to that one, and that one –

 

suddenly you’re in a part of the city you don’t recognize, wondering

 

when and how you learned to pull your punches. your hands

 

putting themselves all over the boy’s shoulders. the river. the boy

 

in the river. the boy twisting like a river, the old man twisting

 

into a seal, a sea lion, a school of fish, an upside-down question

 

mark. don’t reduce this: he isn’t trying to avoid giving you a straight

 

answer; this is the straight answer. a straight arrow, tearing through

 

apple after orange. today you walked into an empty room

 

and everything changed. you tried to tell the truth and your mouth

 

filled with feathers, spoons, the ocean – all your particles

 

in rebellion, traitorous and wielding knives, ready to fight any god

 

by believing in them. i left you in the weight room and found what was

 

not you. your knuckles. your crash. an accident. i have looked at you

 

and i have put my hands on you, but never both at the same time.

 

by the time the coffin’s ready, the body’s gone.